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X:1 L:1/1 gf_edcdcgfgf_Bf_edc_Bf_ef_e

G5 F5 Eb5 D5 C5 D5 C5 G5 F5 G5 F5 Bb4 F5 Eb5 D5 C5 Bb4 F5 Eb5 F5 Eb5

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X:1 L:1/1 _B_B_BGF_B,_B,G_AGGG_EDDD_B,C_B,_A,

Bb4 Bb4 Bb4 G4 F4 Bb3 Bb3 G4 Ab4 G4 G4 G4 Eb4 D4 D4 D4 Bb3 C4 Bb3 Ab3

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X:1 L:1/1 ^faaee^cdd^cBA^ce

F#5 A5 A5 E5 E5 C#5 D5 D5 C#5 B4 A4 C#5 E5

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X:1 L:1/1 _d_d_d_dc_B_d_d_d_d_dc_B_d

Db5 Db5 Db5 Db5 C5 Bb4 Db5 Db5 Db5 Db5 Db5 C5 Bb4 Db5

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Suggested Motifs

X:1 L:1/1 CEGBc

X:1 L:1/1 CEGFE

X:1 L:1/1 GEFAD

X:1 L:1/1 CCDFe

X:1 L:1/1 E,_G,=G,G,

X:1 L:1/1 E,_G,=G,G,A,

X:1 L:1/1 CCDB,F

X:1 L:1/1 CCD_d

X:1 L:1/1 CEGFED

X:1 L:1/1 CEGAG

X:1 L:1/1 CEGAGF

Today’s Annotation

BEST

Beethoven Piano Sonata No. 8 in C minor, Pathétique, Op. 13, 2nd Movement

Snoopy

Measure : 51 - 65 Full Parts

The original theme returns once more:
* Measures 51–58: in three voices ...

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BEST

Beethoven Piano Sonata No. 8 in C minor, Pathétique, Op. 13, 2nd Movement

Snoopy

Measure : 37 - 50 Full Parts

This section forms the climax of the movement. It begins in a♭ minor and features a call-and-response between the upper and lower voices. A striking modulation in measure 41 shifts the key enharmonically to E major, before resolving back to A♭ major in measure 50. The theme is repeated and developed in short phrases, heightening tension and emotion.

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